Originally Published 1990
Bertie, Prince of Wales #2
Preceded by Bertie and the Tin Man
Followed by Bertie and the Crime of Passion
Bertie, Prince of Wales, is delighted to be invited by Lady Amelia, a recently widowed young woman, to Desborough Hall for a week-long shooting party. The eleven other motley guests include a poet, a chaplain, and an Amazon explorer. The party promises a week of shooting, socializing, and feasting, but these expectations are soon shattered as one of the guests collapses face first into her dessert and dies before the night is out. At first, this death is believed to be an accident, and the party continues with their hunting plans for the week. But when another guest turns up dead the very next day, Bertie realizes that the deaths cannot be coincidence.
A few months ago I read and reviewed the first of Peter Lovesey’s novels that featured Bertie, Prince of Wales as a sleuth. Bertie and the Tin Man was a highly entertaining read, rich in humor and character, but the mystery itself disappointed.
Bertie and the Seven Bodies is the second of the three novels and I am happy to say that the plotting here is far stronger. It probably didn’t hurt that I find a week’s shooting holiday to be of more interest than the world of Victorian horse racing!
Once again Lovesey uses the device of presenting his story as a memoir of the case written by Bertie himself in later life. This enables him to inject his narrative with plenty of character, having Bertie pause at points to reflect on events and to go off on little tangents. Lovesey also has fun presenting us with situations where he has Bertie’s words and actions in the past contradict what the older Bertie claims he was doing.
The events the older Bertie recounts to us take place at a shooting party being held in the country house of an attractive young widow. During the dinner that takes place on the first evening Queenie Chimes, an actress who plays bit parts in West End productions, collapses face-first into their dessert and is rushed to a doctor for medical treatment. Near her place setting is a scrap of newspaper with the word Monday written on it and while the guests do not realize it yet, this is just the first in a series of murders that will take place during that party.
Before long Bertie has decided he will take command of the situation and find the killer himself. This is, in part, due to the practical consideration that he wishes to avoid scandalous press coverage of his proximity to several murders but it is also a reflection of his supreme (and somewhat misguided) belief in his own abilities.
Lovesey illustrates Bertie’s overconfidence in his detective prowess early in the novel with several sequences in which he attempts to make Holmesian deductions about people based on small pieces of physical evidence. These scenes are not only quite entertaining, they also establish one of the running themes of the Bertie novels – that those who orbit around him are obliged to be deferential to him regardless of his actual skill as a detective. In fact the reader may justifiably feel that Bertie’s role as detective is, in part, responsible for the book’s high body count as at several points he moves to reassure the other guests that he has identified the guilty party and it is all over.
A quick look at various Goodreads reviews shows that Bertie is quite a divisive protagonist with multiple reviewers labelling him as ‘unlikable’. Certainly he is a pompous figure and his philandering ways will likely prompt some eye-rolling but he can also be quite charming and self-aware showing that he is all too aware of some of his weaknesses. The comparison I would draw would be to the television character Frasier who possessed several similar faults – the fun is in them seeking to maintain their dignity in the face of potential humiliations such as their amorous misadventures.
As the title suggests, multiple murders await the reader and a large part of the fun is in figuring out who the next victim will be and how they will be disposed of. I appreciated the variety of methods utilized and how well this aspect of the novel pastiches elements found in several Christie works.
Lovesey provides us with an interesting mix of suspects from a variety of backgrounds and personality types. I might argue that the female characters are a little stronger and more richly drawn than the males though that really reflects Bertie’s greater interest in getting to know them. Each character is treated seriously as a suspect however and I think several possess interesting motivations.
The solution to the puzzle is quite clever and fairly clued but I did find that I guessed at it after drawing a parallel to another work. This didn’t hugely bother me as I think the manner of the confrontation at the end is interesting but it did dull the impact of the revelation a little. Your mileage may vary however and if you have not read the book it draws from it will likely come as quite a satisfying revelation.
While this is the second book in a series, you do not need to have read the first in order to understand this and so I would suggest that you skip ahead to this one. Also, if you are an audiobook fan I can recommend the splendid readings of the first two books in this series by Terrence Hardiman whose plummy, rich voice is a perfect fit for Bertie and he handles the comedic elements brilliantly
Overall I found Bertie and the Seven Bodies to be a funnier, more tightly plotted outing than his first. It is not just a very good Christie pastiche, it is a fine mystery novel in its own right and I think it managed to blend its comedic and serious elements together very well to create something quite special and surprisingly original.