Originally published in 1928
Hercule Poirot #6
Preceded by The Big Four
Followed by Black Coffee
When the luxurious Blue Train arrives at Nice, a guard attempts to wake serene Ruth Kettering from her slumbers. But she will never wake again—for a heavy blow has killed her, disfiguring her features almost beyond recognition. What is more, her precious rubies are missing.
The prime suspect is Ruth’s estranged husband, Derek. Yet Hercule Poirot is not convinced, so he stages an eerie reenactment of the journey, complete with the murderer on board. .
This dull mystery plot has never really sparked any excitement in me. Sadly this time is no different.
Ruth Kettering, an American heiress, is in an unhappy marriage to an English aristocrat. Her father, Rufus van Aldin, gifts her a fabulous ruby – The Heart of Fire. He advises her to keep it at home but instead she decides to take it with her on a trip on board the Blue Train through France.
During the train’s journey Ruth’s body is discovered in her compartment having been strangled and the jewel has vanished. Poirot, still in retirement and also travelling on board the train, is asked by her father to take on the case. He agrees to take on the case, comparing himself to a retired doctor who has stumbled upon someone needing medical treatment.
According to several sources I have read this novel was one of Christie’s least favorites and unfortunately I rather share her feelings (although I suspect her reasons were rather different from mine). A month or so ago I tweeted about how I have spent the past two decades of my life attempting to listen to the BBC Radio adaptation of this novel and never made it all the way through. Part of that is that I really just don’t dig that production but it also reflects that this plot is, for me, a bit of a snooze.
Let’s start with some positive comments about the book – while I do not love the mystery, I think Christie’s writing continued to mature and the prose is pretty engaging. Actually one of the reasons I think I had no problem concentrating on the book was because her narration was sharp, clear and generally quite entertaining. The radio adaptation loses that and instead forces you to focus on the more melodramatic elements in characters’ conversations with each other.
I also quite like the way Poirot is brought into this story and the awkward relationship he forms with van Aldin. One of the things I think that this story conveys very effectively is that Poirot considers the dead woman (and the truth) to be his client rather than the man who hired him. There are several points at which Poirot asserts himself over his employer and in those moments I think make him appear rather heroic.
Unfortunately here I rather run out of good things to say about a book that shares some of my least favorite traits of the thrillers she was writing in this decade.
Let’s start with the character of Katherine who serves as the replacement Hastings for this story. I actually rather liked the idea of Katherine – the former companion who was left a huge bequest by her last employer and who is now travelling. It makes for an appealing backstory but I really do not love the way she is provided with a really unconvincing romance. This is partly because I just don’t see why that relationship would work for her but mostly I think it overwrites the character’s actual arc of trying to figure out what she wants to do with her life (I don’t actually buy that either but the two resolutions seem completely incompatible with each other).
The second relates to the setup to the murder plot which feels far too forced and mechanical. Part of the problem is, I think, that we are given too much information about the suspects and possible motives from the start. While Poirot still has things to do, the closed circle nature of this crime feels all the more evident and I do feel there are chapters in the middle of the book that seem to drag as though the investigation is being stretched out.
The biggest other issues I have with the book though veer far more into the spoilery territory of discussing the villain or villains of the piece. Some of the clues given struck me as rather unconvincing such as a dropped cigarette case which is discussed in depth yet seems to me to be far less clearly incriminating than the novel suggests. Throw in a rather unexciting group of suspects and you have a recipe for a book that just seemed to drag on for me.
I had come to The Mystery of the Blue Train hoping that my feelings towards it might have changed with time or familiarity. Sadly they have not. Still the good news for me is that I have nothing but fond memories of our next Poirot story – Peril at End House. Hopefully I will find it holds up!