Originally published in 1981 as 占星術殺人事件
English translation first published in 2004
Kiyoshi Mitarai #1
Astrologer, fortuneteller, and self-styled detective Kiyoshi Mitarai must solve a macabre murder mystery that has baffled Japan for 40 years—in just one week. With the help of his freelance illustrator friend, Kiyoshi sets out to answer the questions that have haunted the country ever since: Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, ‘the perfect woman’?
With maps, charts, and other illustrations, this story of magic and illusion—pieced together like a great stage tragedy—challenges the reader to unravel the mystery before the final curtain falls.
The locked room elements of the plot are oversold and the least interesting part of an otherwise fascinating case.
Soji Shimada’s The Tokyo Zodiac Murders is one of those books frequently cited as a later classic in the locked room sub-genre. As the cover of the Pushkin Vertigo reprint points out, this was selected by The Guardian as one of the top ten locked room mysteries of all time which was certainly enough to get my attention and get me to take a closer look.
This book has been on my to be read pile for some time. In what I can only describe as a comedy of errors on my part, I succeeded in purchasing three copies of the book over the past four months. At the same time, I also had a copy on loan from the library AND I own an ebook copy. An expensive mistake, though I did make sure I read at least a few pages from each of the copies!
The novel opens with an excerpt from a fictional document written in 1936 that is a blend of will and confession. In it the painter Heikichi Umezawa describes how he has come to believe he is possessed and that he must murder all of his daughters (biological and adoptive) except Kazue Kanemoto who is excluded because she is not a virgin and remove body parts according to their zodiac signs to create a body to a perfect woman, Azoth, to be brought into this world. The remains of his daughters will be buried at sites across Japan, also in accordance with their zodiac signs. This, he believes, will enable Imperial Japan to find prosperity.
The novel then jumps forward to 1979 and introduces us to our narrator, mystery fan Kazumi Ishioka, and astrologer Kiyoshi Mitarai. We learn that a series of murders like those described by Heikichi took place over forty years earlier and that they remain unsolved in spite of the existence of the document. The reason for this is that Heikichi was murdered in his locked studio before the murders of his children and so could not have committed the murders himself.
Kazumi is providing Kiyoshi with details concerning each of the murders which, we are told, can be sorted into three groups. The first is the murder of Heikichi in his studio which was locked and bolted from the inside. The second is the murder of Kazue whose head is smashed in an apparent robbery. Finally we have the disappearance of the six daughters, step-daughters and nieces after travelling to Mt. Yahiko to lay Heikichi’s spirit to rest. It takes some time to find the mutilated bodies but they are found buried near mines across Japan, each missing the body parts as described in the initial document. Azoth, the creation presumed to have been made using them, is never found.
If my description above sounds dense and confusing, it reflects that this is a very complicated plot with a number of different elements at play. A consequence of this is that the earliest chapters often feel very dense and dry as the two friends describe and walk through the events and some of the theories that people have proposed to explain them. Shimada throws a lot of information at the reader which means that progress in the first section of the book can be a little slow, particularly if you are seriously trying to solve the case yourself.
The story opens up however once we are presented with a second document and the reasons for the protagonists’ interest in the case become clearer. This information, and a subsequent challenge from the authorities, leads the pair to undertake a journey to try and solve a case that baffled Japan for over forty years in under a week.
If the previous section of the novel felt stagnant and slow, these chapters inject some energy and excitement into the process. There is a real sense of discovery as the pair travel across Japan to talk with witnesses and the questions we are posed and try to answer are reworked and refined.
Shimada chooses to style his novel as a fair play mystery, providing not just one but two challenges to the reader. I found this to be quite charming, particularly given that while they are clearly related they place emphasis on different aspects of the crime.
The explanation for what had happened and why feels quite wonderfully audacious and I felt it was explained clearly. Compared with those earlier, dense chapters, these feel easy to follow and boast some very clever ideas.
The one aspect of the solution that I felt underwhelmed by was, strangely enough, the locked room itself. The mechanics of how this were worked do little to appeal to the imagination while I also found it hard to imagine the details of the crime scene, particularly the descriptions of the bed. I only really able to imagine the evidence properly towards the end of the book once the significant details had been explained.
I felt that, on the whole, Shimada played fair with the readers. Now, I will say that I would be surprised if readers picked up on every aspect of the solution by themselves, in part because Shimada’s handling of his evidence is so clever and precise. I came closer than I expected to, noticing several important clues, but I struggled to weave them together effectively into a cohesive whole. For me the solution is truly memorable and I enjoyed following our sleuths as they reached it.
The sleuths were the least interesting aspect of the book for me although I appreciated their method and some of the testy exchanges they share, particularly over the character of Sherlock Holmes.
Kiyoshi’s disdain for Sherlock Holmes is quite entertaining, particularly as he reaches for negative descriptions of the character. While he is not alone in wondering if the great detective is as brilliant as he is usually supposed – some of the criticisms made will be familiar to fans of the stories – I enjoyed them in large part because Kiyoshi seems oblivious to his own similarities with the character. For instance, both are reluctant to have their story retold, both are prone to lethargy followed by sudden bursts of energy and action and so on.
Beyond Kiyoshi and the first victim, Kazumi, however do not expect particularly rich characterizations. Much of the story is told in conversation between the two friends and so there are relatively few opportunities for interaction with other figures in the story. Also, given the high body count there simply are not many characters from that earlier period still around to talk to, meaning that several interviews feel a little peripheral to the main case.
Overall, I feel that The Tokyo Zodiac Murders is an interesting although sometimes challenging read. It has some inventive ideas but the early chapters contain so much information that they sometimes feel hard-going. For those who persevere through that heavy first section, the final destination is clever, original and explained very clearly with lots of diagrams making for a worthwhile read.
For a second opinion from someone with much deeper knowledge of the impossible crime story check out JJ’s review at The Invisible Event.