Originally published in 2012
Rowland Sinclair #3
Preceded by A Decline in Prophets
Followed by Paving the New Road
It is 1933 and wealthy Australian artist Rowland Sinclair is enjoying a leisurely sojourn in the luxury Hydro Majestic Hotel in the Blue Mountains. As ever, he is accompanied by his entourage – a poet, a fellow painter and a brazen sculptress. The Depression-era troubles of the wider world seem far away. Until long-time Sinclair family ally and employee Harry Simpson disappears.
Rowland must leave for the High Country to find Harry. He encounters resentful stockmen, dangerous gangsters and threatening belligerence all round. With his trusted friends’ help, he uncovers a dark conspiracy which suddenly renders the beautiful Australian outback very sinister…
The characterizations and setting are great. The case however seems to meander a little, making this entertaining but not as good as either preceding novel.
I thoroughly enjoyed my first two outings with Rowland Sinclair, a wealthy Australian artist who finds himself getting caught up in mysteries while trying to navigate an awkward relationship with his disapproving older brother. I had actually intended to get to this one soon after the last but as often happens with my TBR pile, I find new things to add on top and can lose track of an enjoyable series in favor of the new. Happily I stumbled across it at just the right time, particularly as I felt keen to read a historical mystery, and ended up devouring it in a day.
After having an escape from a group of toughs in his home, Rowland Sinclair is summoned to see his brother Wilfred who makes two requests of him. The first is to cast a vote in his role as a director of a company. The other however is to journey into the High Country in search of an aboriginal employee who disappeared without a trace after being sent to take investigate a matter on Sinclair lands. The people he visited suggest he had gone on walkabout but Wil points out that behavior is quite unlike Harry who is usually responsible and communicative.
The book is at its best in the chapters in which we see Rowland and his friends roughing it in the countryside in search of Harry. This not only inspires some very effective descriptions of the landscape and the isolation of working the land and gives Gentill an opportunity to explore some different types of characters than we have seen in the series up until this point.
One consequence of Rowland being pulled out of his comfortable setting is that it reminds us that we have tended to view him through the lens of his family. In particular, his very conservative brother Wil. Compared to him Rowland certainly comes off as being much more down to earth but when he is thrown into a rough, rural setting we see him struggle to figure out how to talk with and deal with the people (and, quite memorably, the wildlife) he finds there.
Where his previous adventure saw Rowland making a choice to take a cruise that led him into adventure, here he finds himself quite unwillingly drawn into events. While he cares about Harry and wants to make sure he is safe, he is not enthused about undertaking this trip, nor about being pushed to take on additional responsibilities as a company director at an upcoming board meeting. Still, while this adventure will push him into some uncomfortable situations, I think it also works well to demonstrate some sides to his character that we have not really seen before as well as giving us further insight into his early life and that of his deceased brother Aubrey.
All of Rowland’s friends return and make appearances in this story which is welcome. That little family of characters that surround and support Rowland provide much of the series’ energy and heart. There are even some events that threaten to disrupt or at least complicate his relationship with Edna. That relationship still strikes me as quite charming and I will confess to being fully invested in wanting to see that realized (if you have read further in this series than me, please do not spoil me on whether I will be happy with the way it develops).
The relationship that interests me most however is not with his circle of friends but his complicated feelings towards his elder brother. The two men are clearly quite different in temprement, outlook and political sympathies. They have different views on what their role in society should be and how they can best represent their family. At times their relationship can become quite acrimonious and bitter – indeed, we get several such moments in this story. Yet you also see the bond the two men have, their shared experiences, and I am always struck by how real that relationship seems. That relationship seems to sit at the heart of this series – at least in these early installments – and it is this aspect of the books that I am most curious to see how it develops.
As much as I love the character content and the setting, I do have to comment on the mystery plot itself and here I am afraid I was a little disappointed. I have already indicated that I think the early part of the book with Rowly investigating the disappearance is really quite effective and engaging. The problems for me occur in the book’s back half. That is partly because the action relocates to the city, taking away the book’s most distinctive element, but it is also because the villain of the piece did not strike me as particularly convincing or stand up well in comparison with those in the first two books while their motivations felt somewhat generic.
The other reason I think the second half is weaker than the first is that Rowland loses his direct motivation to become engaged with the mystery. That is reflected in how he seems to become responsive rather than proactive from this point in the story and from that point on things seem to happen to him rather than feeling like he is choosing to engage with a mystery.
Still, Rowland remains a really fantastic creation and while I think this case is uneven, I cannot help but admire Gentill’s approach to characterization or giving us a sense of Australian society in the 1930s. While I preferred the first two novels which set a very high standard, the good bits here are very good. I feel keen to see how this series continues to develop and I look forward to reading the next installment – Paving the New Road – to see what the rest of this tumultous decade has in store for the Sinclair brothers.