Originally published in 1994 as Le Roi du Desordre
Owen Burns #1
Followed by The Seven Wonders of Crime
We are in Victorian London, with its gaslight and fog, not long after the Jack the Ripper Murders. A mysterious cloaked figure wearing a hideous, leprous mask and sleigh-bells is stalking the countryside outside the capital, committing murder wherever it goes, yet leaving no footprints.
This is the first Paul Halter novel featuring amateur detective and aesthete Owen Burns, who regards the impossible crime as an art form.
The Lord of Misrule was the subject of a bit of a mystery for me last week when I sat down to start reading it. As I opened up the ebook for what was apparently the first time I found that my copy contained multiple annotations including highlighted passages and notes about aspects of the book. This went from the first page to the very end of the book and, what’s more, each thought was largely in line with the things I was thinking and feeling about the book.
Had I perhaps read the book before and, for some reason, decided not to review it and mark it as unread? If that was the case, why had I no memory of any part of it? Were those notes and highlights somehow transferred from the future? If so, given that I didn’t make any new ones should I expect to find myself in a Back to the Future-type situation where those notes would fade from my ebook when I failed to create them… Or was there some sort of Kindle glitch that gifted me the notes of a kindred spirit? Alas, I will never know. Rest assured however that the opinions that follow are my own – those notes were only consulted after forming them!
The book begins by recounting the story of how the narrator, Achilles Stock, got to know the amateur detective Owen Burns shortly after arriving in England for the first time. That first encounter, while somewhat tangential to the story, is quite amusing and does give us a strong understanding of both men’s personalities and characters. This in turn will help to explain the rather far-fetched circumstances by which the pair come to get involved in this crime story.
The next chapter jumps forward a year as the pair renew their acquaintance and Burns seeks a favor from his friend. Judging him to be a man who enjoys intrigue, he asks Stock to take his place at the Mansfield family’s Christmas at their estate on the outskirts of London to enable him to spend time with a young woman he is enamored with. He is supposed to attend in the guise of the fiance of Catherine, the sister of Samuel Piggott, the man engaged to Mansfield’s older daughter Sibyl.
The reason for the deception is that Catherine fears that for the safety of her brother because of a family curse that strikes fatally when the family occupy the estate at Christmas. It appears that the Lord of Misrule, a killer with a white mask and wearing jingling bells, has been responsible for a number of murders in the family over the centuries including three years earlier when Sibyl’s brother was murdered by an assailant who did not leave tracks in the snow. Achilles agrees to Owen’s request and attends the gathering only to find that further inexplicable events occur, all credited to this Lord of Misrule…
Let’s start with the legend of the Lord of Misrule because I consider it to be the most intriguing part of the book. The concept dates back to an old tradition by which someone is appointed to be the figurehead of the Christmas revelries, organizing games and jokes to entertain the party. While this custom may not be familiar to many today, it does help ground the story around the festive celebrations as well as emphasize that this family legend has been around for some considerable time.
The story of the origins of this Lord of Misrule, when it is relayed to the reader, is actually rather chilling and speaks to the idea of wild excesses being committed by the nobility. While we will know given that this is a detective story that a supernatural explanation will not be the correct one, it is understandable why the historical event would cast such a long shadow over the family and why it would be a very effective idea to revive in the present day. Similarly I love the image of the frightful face appearing at the window – it is creepy and fits in with the older concept of Christmas as a time for ghost stories.
I have more mixed feelings about some other aspects of the setup for this adventure. The circumstances in which Stock becomes involved in the case are quite convoluted and while I enjoyed some of the subterfuge this involves, the story does dance around describing what actually happened all those years ago for quite some time. This does mean that we then get a lot of detail compressed into a few dense chapters which meant that the book read more slowly than you might expect for a 180 page story.
On the other hand, I do quite like the mechanism of having Stock on his own at the start of the adventure and I also appreciate that the business with needing to pretend to be part of the family does mean that he experiences events from the perspective of part of the party rather than as an adversary. This had echoes for me of The Hound of the Baskervilles in its structure of allowing the reader to witness things through the unqualified eyes of the Watson-figure with the knowledge that a more brilliant reading of the crime will be given later when the Great Detective character arrives on the scene and explains it all. Just as with that story, the structure does build our anticipation for that happening.
In the meantime, Stock’s account of his misadventures is often quite entertaining and does manage to emphasize how startling and inexplicable many of the incidents that take place during the festivities are. Halter does do a fine job of creating situations that do seem to be genuinely impossible which only built my interest and left me wondering just how he could craft a solution that would pull everything together in a satisfactory way.
Rather unfortunately I think the solution misses the mark. There are certainly some strong ideas here, not least with regards the explanation for the strange circumstances surrounding Edwin’s death, but the crime that takes place in the present has some elements that struck me as highly unsatisfactory. Particularly the reveal of an critical element on the very last page that had me groaning and feeling frankly a little cheated.
Reading this I was reminded what I look for in impossible crime stories. I want a fantastic premise that becomes breathtakingly simple and logical when viewed from a perspective that would never have occured to me. Halter gives us that with the death of Edwin. The setup is superb while its explanation, viewed on its own, would be quite strong. Were that crime allowed to be the focus of the story I would no doubt be writing a very positive review right now.
The book’s problems lie in attempting to weave additional crimes into the mix. While those present day events add some additional complexity and interest to the investigation, they also make the solution significantly more contrived. Instead of taking a fantastic situation and making it simple, the result is that the reality of that seemingly fantastic situation is even more bizarre than it seems, leaving me rather frustrated and disappointed.
The Verdict: The chilling seasonal elements work nicely but the solution feels rather contrived.