Originally published in 1948
When Amanda Garth was born, a nearly-disastrous mix-up caused the hospital to briefly hand her over to the prestigious Garrison family instead of to her birth parents. The error was quickly fixed, Amanda was never told, and the secret was forgotten for twenty-three years . . . until her aunt thoughtlessly revealed it in casual conversation.
But what if the initial switch never actually occurred, and what if the real accident was Amanda’s being “returned” to the wrong parents? After all, her artistic proclivities are far more aligned with painter Tobias, patriarch of the wealthy Garrison clan, than with the uncreative duo that raised her. Determined to discover her true identity within her aunt’s bizarre anecdote, Amanda calls on her almost-family, only to discover that the fantasy life she imagines is not at all like their reality. Instead, she encounters a web of lies and suspicions that ensnares her almost immediately, and, over a murky cup of hot chocolate, realizes something deadly lurks just beneath the surface. . .
Charlotte Armstrong’s The Chocolate Cobweb may have a somewhat quirky title but it is an absolute masterclass is generating and sustaining suspense. The reason it is so effective is that it boasts a simple but clear premise. Armstrong quickly sets up her situation and her characters, gives them each clear objectives and then we watch to see how the events will play out.
The protagonist is Amanda Garth, an aspiring painter, who at the start of the novel learns about a mix-up that happened at the hospital when she was born. For a few hours she was swapped with another child, Thone Garrison, the son of a prominent artist before her father persuaded the nurses that a mistake had been made. When she learns about the mixup she wonders if the nurses had been right after all and learning that Garrison is nearby she decides to drive to his gallery to meet him.
On visiting his home she comes to realize that she is fantasizing but before she leaves she notices something odd as Ione, Thone’s stepmother, deliberately knocks a flask of hot chocolate over that he was supposed to drink. After she leaves Amanda comes to suspect that there must have been something wrong and decides to return to the household in the hope of averting a murder.
This is a heavily condensed summary of the start of the novel but I want to leave as much of the details for you to discover for yourself as possible. What I can say is that within a couple of chapters we have learned that Ione was planning a murder and we learn more about the background to that plan. We are in no doubt about her role as the villain of the piece, nor that while she may have temporarily paused her plans that she will try again.
What we have then is a blend of suspense fiction and the howcatchem-type inverted crime story. These two story styles naturally complement each other and help to create a very compelling scenario. Knowing Ione’s character, motive and the rough outline of her scheme we recognize the danger that Amanda is placing herself in by returning to their home. What I think makes this situation so interesting though is Amanda is every bit as aware as we are of the danger she will be in. In fact some of her actions are intended to elevate that risk, hoping to expose Ione as a would-be killer.
Amanda’s willingness to put herself in danger for the sake of strangers makes her pretty instantly likeable as a protagonist. Though she clearly is prone to fantasy, Armstrong never makes her out to be foolish or incapable and she proves herself to be one of the strongest characters by the end of the novel. One of the reasons I found this book so difficult to put down is that I wanted to get to that end to see if she would outwit Ione and survive her ordeal which I think reflects how quickly I came to care about her.
I also think that Armstrong very neatly addresses why Amanda chooses to take this route rather than share her concerns with the local police. For one thing there is a lack of physical proof but she also smartly holds back some of the history of the Garrison family until after Amanda has committed to her course of action. Though she continues to take heavy personal risks, her actions are never thoughtless. There is no doubt for me that this is a character who seeks to control her story, not be a bystander or a victim, and that makes her pretty compelling.
Ione is similarly an interesting figure, though a little harder to understand in spite of Armstrong giving us a lot of background to her early on. I was intrigued by the psychological complexity of her motivations, even though Armstrong expresses it in quite clear and simple terms by framing it as an act of obsession. The one aspect of her motive that I think she is not so clear about is explaining precisely is the cause of that obsession though I think it is interesting to think about.
The character Amanda has to convince of the risk he faces is Ione’s stepson, Thone. This proves a challenge, in part because of the way she enters his life. He is suspicious of her motivations for approaching the family from the beginning and this leads to an enjoyable mix of antagonism and attraction, though the latter is always left to bubble under the surface to color those interactions rather than to define them. I enjoyed seeing how that awkward relationship developed and wondered whether she would be able to convince him of the danger he was in and, if so, how she would do that.
There is very little padding here – in fact very little material at all that doesn’t feel completely relevant to the main story. As a result this book feels really tight with developments happening at a greater pace than I would have ecpected.
These characters and their motives are defined well enough that the reader can often project how things are likely to play out but that does not mean that this book is predictable. There are several moments or developments that caught me by surprise and so while the end result was in keeping with my expectations, the path to that point was a little different than the one I anticipated.
It made for a truly engaging and suspenseful read that stands out to me as one of the very best titles I have read to date from the American Mystery Classics range. Thoroughly recommended to lovers of suspense fiction.
The Verdict: A truly suspenseful and exciting story with an engaging premise and some striking characters. One of the best titles I have read to date from the American Mystery Classics range.
If you have read any other works by Charlotte Armstrong I would love to have your recommendations for which I should try next.
I have to thank Kate at CrossExaminingCrime for sharing her thoughts on this book a couple of months ago. Her review inspired me to give this a try for which I am clearly grateful!
This counts towards the Vintage Scattegories challenge’s Amateur Night category as a Golden Age read.
10 thoughts on “The Chocolate Cobweb by Charlotte Armstrong”
Thank you for the mention and I am pleased you enjoyed it so much. I’ve only read about half a dozen of her books, The best ones were Mischief and then A Dram of Poison and Catch as Catch Can. All three sort of operate like inverted mysteries in one way or another, even if the route the narrative takes is unorthodox.
The only novel i have read which I wasn’t that keen on was A Little Less Than Kind and I didn’t really click the short story collection: Night Call and Other Stories of Suspense. Though I know some people have really liked her shorter work.
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Thanks for the suggestions – all three of those sound like they may be my kind of thing. I will have to see if I can get hold of those easily or cheaply!
I am confused … if baby Amanda is a girl and baby Thone is a boy, how can they conceivably be mixed up? Don’t nurses, let alone the respective mothers (!), know the difference between boys and girls?
It is explained though I agree it seems crazy. The bracelets on the babies’ legs are both marked THO and the nurse was careless. Both mothers had been given drugs during labor and so were not fully aware of what was happening. Amanda’s father insisted he had a daughter and convinced the hospital staff the exchange had happened.
Crazy indeed. It makes one wonder how many patients in that hospital ended up with the wrong limb amputated or the wrong organ removed. And isn’t the hospital/staff using any paperwork indicating the sex of a newborn?
It certainly doesn’t inspire confidence!
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I wonder if Armstrong made the baby swapping more feeble/implausible because she was not taking the plot in that direction. It is the factor which propels Amanda into the situation she lands in, but the reader soon disregards it as a possibility.
I can see that. We need to see Amanda as rather dreamy and also that it will mean that she has to act to reinforce the idea of the switch later on.