This week has been a frustrating one as I have been stuck at home waiting for the results of a COVID test (I feel fine – it’s a contact tracing thing). Thankfully the much-awaited first issue of Sherlock Holmes Magazine showed up when I needed it most, serving as an excellent form of diversion.
I first saw news of the publication on Twitter and had been intrigued enough to add myself to the preorders list. While I admit to not being as devoted a Sherlockian as my father (who had files full of various fanzines and publications in his office when I was growing up), I have enough interest in the Great Detective that I thought it could be interesting. That interest only grew when I saw that the magazine would not only cover the canon but the many derivative works and adaptations that have been done over the years.
For those who are curious, the magazine is glossy and heavily illustrated. It is larger than the typical US magazine, clocking in at about 12 inches by 8.25. It feels like it could sit very comfortably on any newsagents’ shelf, although being self-published and having a very limited print run, it unfortunately lacks that store shelf visibility.
The magazine contains some short snippets of news at the front but the bulk of the pages are devoted to feature articles. Some focus on the various adaptations such as the feature on the tenth anniversary of Sherlock or the fun article defending Nigel Bruce’s portrayal of Watson. I found most of these to be interesting, particularly the piece discussing the history of Billy Wilder’s The Private Life of Sherlock Holmes. I hope that future issues may see similar features for some more obscure adapted or inspired works.
There are also several articles that focus on Doyle’s texts themselves such as an article about Moriarty or the fascinating one discussing how the stories came to be banned in Switzerland. I found these to be just as engaging and felt I learned something from each of them, particularly the latter. I suspect that the biggest challenge for the magazine will be creating new book-focused material that hits that sweet spot between being accessible to a wider audience and providing something of interest to devoted Sherlockians but based on this first issue I have confidence that they are up to the task.
Finally there are a couple of pieces that are quirkier and harder to categorize. The one that stands out most is the article about the Holmes tartan. This is beautifully illustrated but was probably the least interesting of the articles to me. Others may feel differently though and while the content was not particularly tailored to my own interests, I did appreciate it as a change of pace. I prefered the Holmes in Lockdown piece, discussing the Don’t Go Into The Cellar plays performed on the web during lockdown. These were completely new to me and felt surprisingly timely (I had assumed that much of the content would have been written prior to the COVID breakout).
Overall, given that this was a first issue I was very impressed. A few sections – particularly the Letters to the Editor pages – feel like works in progress (they probably would benefit from comments in response) but my overall impression has been very positive. This is a far more polished product than I had expected I would receive and as a result I feel very happy and keen to get subsequent issues. This publication seems have a lot of promise.
I think there are only two issues I have with the publication. The first is that I would love to see a reviews section focusing on new Sherlockian material or, failing that, at least an article specifically laying out what new things are on the horizon. Perhaps that will come with future issues.
The other is that there is a whole page advert at the end of this issue advertising how to subscribe but following the link takes you to a page that says subscriptions are still not available. I hope that gets updated soon: I would love to be able to sign up and support the venture going forwards.
While the first issue’s limited print run sold out very quickly, the producers have recently announced they have done a second printing and stock is available once again. If you are interested in finding out more and maybe reading a copy for yourself, check out their website for further details.
The Sherlock Holmes Book, the latest in DK’s award-winning Big Ideas Simply Explained series, tackles the most “elementary” of subjects — the world of Sherlock Holmes, as told by Sir Arthur Conan Doyle.
The Sherlock Holmes Book is packed with witty illustrations, clear graphics, and memorable quotes that make it the perfect Sherlock Holmes guide, covering every case of the world’s greatest detective, from A Study in Scarlet to The Adventure of Shoscombe Old Place, placing the stories in a wider context. Stories include at-a-glance flowcharts that show how Holmes reaches his conclusions through deductive reasoning, and character guides provide handy reference for readers and an invaluable resource for fans of the Sherlock Holmes films and TV series.
The Sherlock Holmes Book holds a magnifying glass to the world of Sir Arthur Conan Doyle’s legendary detective.
An attractive coffee table volume best dipped into after reading a particular story.
Dorling Kindersley’s Big Ideas, Simply Explained series is intended to provide broad and accessible introductions to a range of different topics. Other volumes had tackled topics like Politics, Philosophy and the works of Shakespeare, breaking down ideas to make them easily accessible and identifying key themes and developments.
The books are typically large format hardcovers (though there is a paperback version of this title), have a common layout and feature attractive graphics, charts and easy-to-read information boxes. While they can be read cover-to-cover, they are equally well suited to being dipped into as a more casual, coffee-table sort of read.
The Sherlock HolmesBook sticks pretty close to this formula. Its opening chapters provide biographies of Sir Arthur Conan Doyle and the key characters in the series – Sherlock Holmes, Watson and Professor Moriarty. These are done well, offering some analysis into their characters and reference some of the real life figures that were sources of inspiration for them.
Following this we get to the meat of the book – a story-by-story exploration of the chronological canon of Holmes novels and short stories. Every one of the original stories is outlined and discussed with diagrams illustrating key deductions, plot points and relationships. In addition there are often sections that will explore a key reference or theme in more detail such as opium use, phrenology or myths about hell hounds.
At this point I probably should address the book’s ideal audience. The material here, while interesting and entertaining, is perhaps best pitched at the more casual Holmes fan rather than the complete newcomer or the aficionado. The inclusion of the solutions means that the entries should be read after reading the respective story and while I found some points of interest, the most seasoned Holmes enthusiasts will likely already know most of the material here.
In my own case I intend to make use of the book to browse in instances where I need to quickly refresh myself on a solution, make sure I am thinking of a correct title or to check a character name or identity. While I also own the ebook version, I much prefer to use the physical edition which is much easier to browse and more attractively laid out. The pricing is currently quite different however so if you are interested be sure to take a look at the sample pages to see which version suits you best (the physical edition can be sampled here).
The final fifth of the book discusses the enduring popularity and legacy of the character as well as his appearances in other forms, media and continuation novels. These cover many of the major releases through 2015 (it ends with Mr. Holmes) and unexpectedly for me this was the part of the book that offered me the most new information. There were several productions I was completely unaware of and I found myself making a list of other adaptations, reworkings and continuations to seek out.
Overall I am happy I picked up copies of this handsome book though I did so at a heavy discount. I enjoyed dipping into various entries and while I was aware of much of the information here already, I know this would have been enormously useful to me when I first began to delve deeper into the world of Sherlock Holmes. Whether it will have much value for you depends on how well you already know the canon and your interest in delving a little deeper into the background to the creation of those stories. For those with a stronger interest they might be better to look to some of the more scholarly works and journal articles about the series.
Note: some editions, including the first, exclude The Adventure of the Cardboard Box. If purchasing separately make sure that the story is either in your copy of Memoirs or His Last Bow if you wish to collect the whole Holmes canon.
In The Memoirs of Sherlock Holmes, the consulting detective’s notoriety as the arch-despoiler of the schemes concocted by the criminal underworld at last gets the better of him.
Though Holmes and his faithful sidekick Dr Watson solve what will become some of their most bizarre and extraordinary cases – the disappearance of the race horse Silver Blaze, the horrific circumstances of the Greek Interpreter and the curious mystery of the Musgrave Ritual among them – a criminal mastermind is plotting the downfall of the great detective.
Half-devil, half-genius, Professor Moriarty leads Holmes and Watson on a grisly cat-and-mouse chase through London and across Europe, culminating in a frightful struggle which will turn the legendary Reichenbach Falls into a water double-grave . . .
Though the stories may not be as famous as those in The Adventures of Sherlock Holmes, there are several that struck me as among Conan Doyle’s best.
Today I continue my series of posts in which I revisit stories from the classic Holmes canon. This time it is the turn of The Memoirs of Sherlock Holmes – a volume that contains several of Holmes’ most famous cases.
The Adventure of Silver Blaze remains one of the most iconic Holmes short stories which I think reflects its relative simplicity. It is a good story with a simple but cunning solution.
The Final Problem is similarly quite superbly atmospheric and contains some thrilling action moments. Not to mention it introduces us to Moriarty – one of the most significant characters in the Holmes canon.
Not every story thread proves successful. Stories like The Adventure of the Cardboard Box feel rather silly and some repeat themes and ideas. Still, even when Conan Doyle’s plotting fails to thrill, he is always highly readable and gives us some truly great moments here.
I have a couple of ongoing reading projects on this blog but probably the one I am enjoying most is working back through the Sherlock Holmes stories. I have written before about their importance to my development as a reader of crime and mystery fiction and while I have found some stories simply didn’t match up to my memory of them, it is fun to return to these stories and look at them with fresh eyes.
The Sign of Four is one of the stories that I recall thinking quite highly of when I read it for the first time but I will admit to not having revisited it once since I first read it. I am not even sure that I saw the Jeremy Brett adaptation in spite of owning a copy on DVD.
The novel begins with a restless Holmes complaining about the lack of mental stimulation from his work. That situation changes however when he is consulted by Mary Morstan, a woman whose father disappeared a decade earlier after returning from India. Six years ago she began to receive a pearl in the mail at yearly intervals from an anonymous benefactor after she responded to a newspaper advertisement inquiring after her. That anonymous benefactor included with the most recent pearl a request for a meeting, telling her in the note that she was a wronged woman.
Holmes takes on the case and sets about trying to uncover the identity of the sender of the pearls. The trail will lead him to discover a body, poisoned with a dart, and start him on a search to find the man’s killer.
The opening to this book is absolutely wonderful and I think it goes a long way toward solidifying Holmes’ character. Watson’s criticism of his friend’s reliance on drugs (that famous “seven per cent solution of my own devising” for stimulation gives us a window into Holmes’ personality, making his desire to solve crimes a compulsion.
I also really quite enjoy the passage in which Holmes draws a series of inferences from his observations about a watch in his friend’s possession. Sometimes I feel these sequences in which Holmes shows off his craft can feel a little hollow or like they contain short skips in logic but I feel that the deductive chain here is far more solid and convincing.
As a child I was quite taken with the scope of the tale on offer here, particularly given how this is a story that is rooted in historical events and describes actions that took place a continent away. Having since become better read in the mystery genre, I can see that this story shares a fair amount in common with The Moonstone, itself a totemic work in the genre. While I think this story is a separate and distinct work, I was a little less taken with its inventiveness on this second reading.
I think the bigger issue though is a structural one.
The first part of the story is quite engaging as we rattle around London and meet figures from the Morstan family’s past. Not only is Holmes in strong form, the question of the pearls feels significantly odd that, even knowing the solution in advance, I felt drawn into the story once again. I also found the characters we are introduced to in this first part of the novel, particularly Thaddeus Sholto, colorful and entertaining and enjoyed learning more about his own family history.
I also quite liked Mary Morstan, even if Watson’s romantic pangs (if not yearns!) can read a little laughably. It all goes to show that Watson is at heart an old romantic, even if he can’t count his wives correctly.
The problems come in the lengthy account that closes out the story. Having pushed all of the action and incident to the front of the novel, this final section feels very static by comparison. While this problem is hardly unique to this novel – A Study in Scarlet had many of the same issues – The Sign of Four is less entertaining because of the type of information we are being given.
In that earlier book the reminiscences section is full of information we could never have known but for that account. Here however we should have already worked out a general idea of what had happened so rather than providing us with brand new information we are instead really just filling in the gaps. Unsurprisingly this makes for a significantly less compelling reading experience.
In addition to the structural similarities there is also some thematic overlap with the previous title. This is unfortunate, particularly when you read the two novels back-to-back, as it makes them seem a little less creative. This reliance on formula is all the more striking when you consider the diversity of story type and theme on offer in The Adventures of Sherlock Holmes.
So unfortunately I can’t say that The Sign of Four quite lived up to my memories of it. There isn’t much mystery to engage the reader past the murder itself and the last third of the book is a drag. All of which is part of the reason I think first time Holmes readers would be well advised to skip the early novels and go straight to the far more rewarding short story collections.
Puzzle Doctor shares his views on this novel and, like me, was not enamored with the ‘really dull’ flashbacks.
Yesterday I teased on my Twitter account that this week I would be discussing the first appearance of one of the most iconic detectives in literature. That detective is, of course, Arthur Conan Doyle’s Sherlock Holmes.
Though A Study in Scarlet introduced readers to Sherlock Holmes it was not my first encounter with the character. That was The Adventures of Sherlock Holmes which I followed with the other short story collections and The Hound of the Baskervilles.
By the time I reached A Study in Scarlet I must have been about twelve years old. I recall being tremendously excited that my secondary school library had a copy and checking it out, looking forward to experiencing this piece of literary history for myself. Unfortunately twelve-year-old me ended up being somewhat disappointed with the tale but I have revisited it several times since then and found I appreciated aspects of it more than I did back then.
The story begins by introducing us to Dr. John Watson, an army medical officer who has returned to England to convalesce after being wounded in service in Afghanistan. A friend introduces him to Sherlock Holmes who, he notes, is rather odd but in need of someone to share lodgings with in the city. He soon becomes curious about Holmes’ work and is invited along when the consulting detective is summoned by Inspector Gregson to take a look at a strange crime scene.
They find a man dead with a grotesque expression on his face. There are no signs indicating a physical altercation about the corpse or in the room but a word ‘Rache‘ has been written on the wall in blood…
When reading this I am always struck by just how effective these opening chapters are and how well Conan Doyle establishes the characters of Watson and Holmes. Later stories add more details to both men’s lives but I think the core elements of each character’s personality are present already and I really enjoy their interactions.
Probably my favorite of these moments occurs early in the second chapter. It is a passage in which Watson attempts to catalog Holmes’ limitations only to give up in frustration. Holmes intrigues and yet baffles Watson as he cannot understand the detective’s absolute focus on developing some skills and knowledge at the expense of other, more everyday pieces of information.
What I like about this section and, indeed, the character of Holmes in general is that he is established to be flawed rather than superhuman. Watson likes him and so we are inclined to do so as well and yet it is clear that he could be frustrating company. Perhaps more importantly though the flaws help justify the brilliance and there is something quite entrancing about following his deductions and investigative process even if it is rarely fair play.
Similarly I think the two sequences in which Holmes and Watson investigate crime scenes are quite effectively written, particularly the first one. The message written in blood on the wall is perhaps an excessively dramatic touch (though it was one of the parts of the novel that really worked for me as a pre-teen) but I think the puzzle is surprisingly subtle. Holmes’ observations and explanations are clever and when the circumstances of the murders are explained in the final chapters of the novel I think the crime scenes make sense.
The problems with the book are found in its second half which suddenly diverges from the style and tone of the story up until that point, telling a historical narrative. This was an enormous shock to me when I first read it as it doesn’t feel integrated into Watson’s narrative. It wasn’t what I had been expecting and didn’t match what I wanted from the book at all, striking me as dull.
On revisiting the novel I find more to appreciate in these chapters. While the change of style and setting is quite abrupt, I think Conan Doyle’s depiction of the landscape and the realities of a harsh journey in the first chapter are quite striking and evocative. There is a sense of isolation and a need to survive in difficult circumstances that I think he really conveys well.
What doesn’t work for me is the tone of the second half of the novel in which every emotion is heightened to an absurd degree. Whether it is a moment of sickly sweetness in the midst of despair or the “so it has been decreed” speeches, this second half of the book lacks subtlety of character or in terms of the situations Conan Doyle creates. I would even say that it is so over the top that rather than encouraging empathy it makes the plight of the characters seem unreal.
The return to London and the narrative voice of Dr. Watson is welcome and the final few chapters of the book do a good job of pulling together the information and explaining how Holmes was able to identify the killer. Some aspects of their motivation and plan are explained and while Conan Doyle still employs that heightened, dramatic tone at times, I think he finds a better balance with the colder analytical voice of Sherlock Holmes to end on a stronger note.
Were it not for its status as the first appearance of Sherlock Holmes I suspect we would not remember A Study in Scarlet as a standout story. It has some wonderful moments that establish the characters of Holmes and Watson as well as two interesting murders but the second half of the book feels drawn out and very heavy. Still, it is a landmark adventure for the character and for that reason alone I think it is worth experiencing.
Vintage Mysteries Challenge: Death by Poison (How)
Though I have been something of a skeptic when it comes to short crime fiction in the past these British Library anthologies curated by Martin Edwards have helped turn me around on the possibilities of the form. Over the past year I bought most of these collections and have been slowly working through them.
Murder at the Manor takes the iconic country house setting as its focus, presenting us with sixteen tales from authors from a variety of backgrounds and styles. In some cases however the setting plays little role in the story itself and few convey any real sense of those impressive historic homes.
The result is a collection that can feel a little uneven compared to some of the others in the range. A few stories such as The Problem of Dead Wood Hall and The Long Shot left me quite unimpressed. There are some stories though that I can strongly recommend that make this worth dipping into.
Several of the most memorable tales are inverted crime stories such as W. W. Jacobs’ The Well which features some truly horrific moments and James Hilton’s The Perfect Plan which builds to a thrilling conclusion. Those who prefer lighter mysteries are likely to enjoy E. V. Knox’s very amusing story The Murder at the Towers which is consistently amusing, parodying the country house mystery very effectively.
The highlight of the collection is an incredibly tense thriller by Ethel Lina White, An Unlocked Window. In that tale a group of nurses have locked themselves in a house while the Doctor is away fetching supplies because there is a serial killer who has been targeting nurses as his victims. The moment in which the protagonist realizes that they have left a window unlocked is really chilling but it is topped by a superb reveal that pushes the story into a thrilling conclusion. While this is not normally my type of read, I think it is done really well and it is likely to stay with me for a while.
Though I do feel that the stories in this collection are less consistent than some of the other volumes the British Library have published, stories like these certainly make this worth dipping into. I would suggest though starting with Resorting to Murder or The Long Arm of the Law, both of which I rate highly, unless the subject matter of this volume particularly appeals.
The idea of the detective on holiday is a rather wonderful one and, as Martin Edwards points out in his introduction, has been a rich source of inspiration for mystery novels. This collection is concerned however with much shorter works and features a variety of stories in which the detective or victim is travelling away from home.
In some cases the travel is incidental to the story, used to place the mystery against an exotic backdrop whereas in others the idea of being in an unfamiliar environment is critical to the story’s themes and plot. The stories that Edwards selects draw on a variety of styles and approaches and demonstrate how a basic concept can be taken in many different directions and used for inspiration in many different ways.
There are, of course, some stories from writers who are widely known and remembered such as Arthur Conan Doyle and G. K. Chesterton but there are also a number of stories from lesser-known figures. Of those I particularly enjoyed the contributions from E. W. Hornung, Phyllis Bentley and Gerald Findler while there are some excellent stories from the better-known Michael Gilbert and Leo Bruce here too.
As with any anthology, there are a handful of disappointments in the collection but in most cases those stories fit and illustrate the theme well and their inclusion makes sense. I would certainly say that this is one of the strongest British Library Crime Classics anthologies that I have read and would put this up with The Long Arm of the Lawin terms of the general quality of the stories collected.
This is a revisitation for me as The Adventures of Sherlock Holmes was the first mystery book I ever bought. I was on a class field trip to a National Trust house and saw one of those cheap paperback copies in the gift shop and, remembering that my Dad likes mysteries thought he might enjoy it. Yes, I was one of those relatives though in my defence I was only eight years old.
It turns out that Dad, who had been a member of the Sherlockian society for years, already had read it but he read some of the stories to me and I worked through the others myself. I have frequently revisited them over the years though normally I pick at them rather than taking them in bulk as a collection.
Individual comments on each story will follow but I do appreciate the variety to be found in this collection. Most of these stories work because they are centered on very simple ideas and while the reader will have no chance of working out the solutions to many of them, they generally satisfy because of their creativity.
The best stories, in my view, are those which focus on a small, simple puzzle in which Holmes has to make sense of seemingly disconnected ideas. The Red-Headed League is a wonderfully imaginative story while The Copper Beeches boasts a very clever premise. The standard is pretty universally strong and while I think many of these stories are not fair play detective stories, most are excellent adventure yarns.
Of course, revisiting mystery stories does present problems in that it is hard to know just how well structured and clued a story is. In this case I read the book for the first time close to twenty years ago and many of the solutions stick clearly in my mind. Regardless I had fun revisiting these and think several of the plots are quite ingenious.
The latest British Library Crime Classics anthology is a collection of railway mysteries from the Golden Age of crime fiction. As always editor Martin Edwards has managed to find a mix of different styles and approaches from adventure-type stories to inverted crimes.
Most of the stories in the collection feel like good matches for the railway theme though the links in a couple of cases are somewhat tenuous. For instance The Unsolved Puzzle of the Man With No Face is one of the strongest stories in the collection based purely on entertainment value but probably does the least with the train theme.
Among the highlights of the collection for me were The Affair of the Corridor Express by Victor L. Whitechurch and The Case of Oscar Brodski by R. Austin Freeman. The other stories are generally of a high standard and most are paced pretty well with just a few falling short of the mark.
The Man with the Watches by Arthur Conan Doyle
A curious tale that features a seemingly impossible crime where the body of a passenger who hadn’t been seen on the train turns up in a compartment while the train is in motion while passengers who were there seemed to have vanished. I didn’t find it the most engagingly written story I have ever read by Doyle though it does have an interesting premise and I appreciated the construction of its solution.
The Mystery of Felwyn Tunnel by L. T. Meade and Robert Eustace
In this story the detective is being consulted about a seemingly inexplicable death that has taken place in the early hours of the morning at a section of railway. The night watchman is found dead near the tracks with a severe blow to the back of his head. Suspicion has fallen on a young man with whom he was feuding yet the man recounting the tale does not believe he would be responsible though he cannot think of another explanation.
Arguably the story could have been a little more concisely told but the concept is quite clever and logical.
How He Cut His Stick by Matthias McDonnell Bodkin
This Dora Myrl adventure sees her consulted about the matter of a theft of several hundred pounds that was being transported from one bank office to another. The clerk responsible was supposedly travelling in the compartment alone but we are let in on the secret of how the robbery was managed. What remains a mystery however is how the thief managed to get off the moving train.
It’s quite an entertaining read and I did find Dora quite a likeable, lively heroine so I would be interested in reading some of her other adventures. The story though is not really fair play in that some of the details necessary are not fully described while the surprise identity of the villain will shock absolutely no one.
The Mysterious Death on the Underground Railway by Baroness Orczy
The Old Man in the Corner tells Miss Polly Burton about a murder that had been committed on the Underground some time before where the Police were certain that they had identified the killer yet were unable to prove their case. He explains how the murder was actually carried out and why the Police came to their incorrect conclusion about the guilty party.
As with each of the previous stories in this collection, this is a tale recounted but the difference is that all of the action has taken part in the past, meaning that there is no movement or action in the story. To me that led to it dragging a little which is a shame as I thought the way the crime was executed was quite smart.
The Affair of the Corridor Express by Victor L. Whitechurch
A clever little tale that unfolds at a good clip. Mr. Hazell is approached by a school master who had been tasked with escorting a student by train after he was summoned by telegram. During the journey the student steps into the corridor and disappears. The master investigates and conducts a thorough search of the train but the child has vanished in spite of the train not having slowed down or stopped at all since the disappearance.
Whitechurch lays out the information very clearly and it is a pleasure to piece together what has happened. The explanation is quite simple and I appreciated the tightness of the resolution.
The Case of Oscar Brodski by R. Austin Freeman
Arguably the first inverted mystery written in English, The Case of Oscar Brodski is a story told in two parts of unequal length. The short opening identifies the murderer and explains the choices that he makes that lead to him taking a life and we see him staging the scene to try to mask his guilt. At the end of this section we are, in effect, challenged to imagine how he might possibly get caught.
The second part reveals that Dr. Thorndyke happened to be travelling on the railway line on the evening of the murder and became aware of the investigation into the death. While he does not have his full laboratory with him, he does have a small green case packed with smaller versions of many of his instruments and his systematically analyses the evidence to build up a picture of just what happened.
The investigation is compelling because the evidence is convincing and easy to follow. Thorndyke may not be the most dynamic investigator but it is interesting to see just how he works and his acknowledgement that his success was down in part to fortunate timing as had he been later on the scene much of the evidence would have not been there.
The Eighth Lamp by Roy Vickers
In this story a signalman agrees to take on the duties of performing final clean up on the platform of a circle line station at the end of each evening. As he extinguishes the last light however he sees a train running through the station without any lights and slowly a dread grows within him about fulfilling those duties.
The story feels tightly written, building a very effective sense of tension and drama. The reader may well guess where the story is headed but I think it is very well paced and packs a strong conclusion.
The Knight’s Cross Signal Problem by Ernest Bramah
A Max Carrados story in which the detective is consulted by his friend Mr. Carlyle about a case he is working on to try to determine who was responsible for a catastrophic train collision. The driver swears that he was following a signal while the signalman says that the driver ignored him.
Aspects of the solution are rather clever and the concept and themes of the story feels far more modern than you might expect given it was written in 1914. That being said, I did find the way the story was told a little dry.
The Unsolved Puzzle of the Man with No Face by Dorothy L Sayers
Lord Peter is travelling on a train when he hears about a strange case of a man found strangled on an isolated beach wearing just his bathing costume with nothing to identify him. There are just one set of footprints leading to the body though lest you think this an impossible crime story, Lord Peter solves that within a few paragraphs (it’s a good explanation too).
The story is quite cleverly constructed and has a fairly unconventional ending. Based on entertainment value it is one of the strongest stories in the collection though I might grumble and point out that the train setting is quite incidental and used in just a fraction of the story.
The Railway Carriage by F. Tennyson Jesse
Jesse’s final story to feature occult sleuth Solange Fontaine is really more of a rumination on themes of crime, redemption and capital punishment than it is a traditional detective story. I am not particularly fond of supernatural elements in my crime fiction so this one was perhaps not for me though I think the revelation at the end is quite chilling.
Mystery of the Slip-Coach by Sapper
A story in which a gambler and moneylender is found shot dead within a train carriage with a broken egg near them. This story can boast a devilishly clever solution but you may well wonder whether it could actually work in practice and why on earth anyone would conceive of such a ludicrous way of killing someone.
The Level Crossing by Freeman Wills Crofts
Having believed myself done with Freeman Wills Crofts’ inverted stories, I continue to be delighted by finding new short stories in these collections. This one is a good one, focusing on an accountancy clerk who is intending to kill a man on the railroad tracks.
The Adventure of the First-Class Carriage by Ronald Knox
A very acceptable Sherlockian pastiche which sees the detective consulted by the servant who voices her concerns that her master intends to commit suicide. Holmes travels down by train only to find that during the journey he disappears. What I do think it captures well is Doyle’s ability to set up a seemingly complicated scenario and then to have Holmes reduce it to something quite simple and understandable but while it entertains, there is nothing special to set it apart from the countless other Holmes pastiches.
Murder on the 7.16 by Michael Innes
Forget trying to solve this one yourself – its brevity means it is a little lacking in clues – but the story is a clever one, even if Appleby could never prove it with his evidence. The director of a film is found dead inside a reproduction train cabin on set.
The Coulman Handicap by Michael Gilbert
Detectives attempt to track a woman who they believe is involved in fencing stolen goods but manage to keep losing her. Unfortunately I found the premise less than thrilling and it struck me as one of the weaker entries in the collection.
Review copy provided through NetGalley. Blood on the Tracks is already available in the UK and will be published in the United States by Poisoned Pen Press on July 3, 2018.
Life commitments have caused me to need to find something I can dip in and out of at pretty short notice so I have been picking up more of these British Library Crime Classics anthologies.
Serpents in Eden is a collection of crimes set in the countryside though the setting is more critical in some stories than others where it is merely background. As always Martin Edwards has selected a diverse collection of stories on his theme and provides superb introductions, both to the collection as a whole and then to the authors who wrote the individual entries featured.
It is a pretty interesting collection though a little less well balanced than others published as part of this range. I particularly recommend the very short Clue in the Mustard which is quite amusing at points and Murder by Proxy which has a clever solution.
If this volume’s theme appeals to you then I’d suggest picking it up as though there are always a few misfires, most of the volume is pretty entertaining and does a good job of preventing variations on a theme.
On to the stories…
The Black Doctor by Arthur Conan Doyle
Or perhaps more accurately: the Doctor of Indeterminate Swarthy Ethnicity. This is the story of a country doctor who has established a successful practice in Lancashire. After many years of bachelorhood he finally proposes to a local woman but abruptly calls off the wedding. The narrative is structured around the trial of a man believed to have killed him.
There is no detective or sleuth to follow – this is more in the line of an unusual story being related but it is quite enjoyable, if a little slight.
Murder by Proxy by M. McDonnell Bodkin
An entertaining read, even if some aspects of the crime are easy to deduce. The story concerns a man who is found dead in his study having been shot in the back of the head. Paul Beck is called in to investigate the case by the man’s son who has become the principal suspect.
Forget about who did it – the killer’s identity is clear enough – as the focus here is really on how the deed was done. The solution is quite clever though Beck never really proved his case, rather the guilty party confesses. Still, it is fun and I’d be interested to see out some other Beck adventures.
The Fad of the Fisherman by G. K. Chesterton
This didn’t capture my imagination at all and so did not make for the best first impression for Chesterton’s work. A murder takes place on a remote island near the country home of Sir Hook. While the mystery didn’t grab me, this is one of the stronger entries in the collection for incorporating countryside elements.
The Genuine Tabard by E. C. Bentley
I quite enjoyed this story in which a pair of American tourists show our sleuth a historic tabard they purchased at a vicarage while driving through the country though it is a little slow in the telling. The scheme is worked out well but the explanation is a little too detailed.
The Gylston Slander by Herbert Jenkins
A solid if unremarkable story about a vicar receiving anonymous letters laced with innuendo about his daughter and the curate.
The Long Barrow by H. C. Bailey
A woman reports that she is being followed by someone everywhere she goes. At first Reggie Fortune seems disinterested but when she adds that someone is littering the path with dead animals he agrees it seems suspicious.
An interesting concept and approach but in my opinion the ideas are not well realized.
The Naturalist at Law by R. Austin Freeman
You would think that given my love of inverted mysteries I would have got around to trying an R. Austin Freeman already. Well, this isn’t an inverted mystery but it does whet my appetite for when I do so.
The story involves an apparent suicide of a man in a ditch. The inquest cannot reach a conclusion but Dr. Thorndyke is certain it is murder and conducts his own investigation. The question is why does Dr. Thorndyke think it is murder and how will he prove it. The answers are clever.
A Proper Mystery by Margery Allingham
This is a very short story set in a public house several weeks after a vegetable show was ruined when the produce is trampled by cattle. Tensions are still high in the village as some of the contenders suspect each other for orchestrating the disaster. The resolution of the story is quite charming, if expected.
Direct Evidence by Anthony Berkeley
A simple and dragged out case in which a man is accused of the murder of the woman he is having an affair with. The solution to why the suspect would have murdered her in plain sight of the village is obvious from the start and so the only question is what precise evidence will Sheringham be able to assemble to prove it. A disappointment.
Inquest by Lenora Wodehouse
A very different story that strikes a decidedly interesting and provocative note at its end. The narrator is travelling by train when he encounters a familiar face he is unable to place at first. It turns out that they recognize each other from an inquest into the death of a man who seems to have been murdered by his nephew.
The plot of the story is interesting enough to make this worth recommending but the tone of the ending is very different and there are some aspects of the solution that feel quite original. A highlight in the collection, though the countryside elements are minimal.
The Scarecrow by Ethel Lina White
A young woman escapes assassination and her would-be killer is locked away. Several years later he emerges from prison, placing the woman in danger. How will she and her friends evade the killer’s notice.
While this is an interesting premise and I did like some of the turns of phrase and details in the novel, it didn’t resonate with me as I had hoped. That is a shame because there is some excellent writing here.
Clue in the Mustard by Leo Bruce
A short but amusing story that sees Sergeant Beef solve his first murder (though you wouldn’t really know that if it weren’t mentioned in the preface to the story). An elderly woman is found dead in her garden to some surprise as she had seemed in relatively good health. While it appears like natural causes were responsible, Beef is able to demonstrate it was murder and explain how it was managed.
The method used is quite ingenious (and I am pleased to say that I guessed most of it) but the best part is Beef’s unusual reasoning for how he works it all out.
Our Pageant by Gladys Mitchell
The final story is incredibly short but also one of my favorites in the collection. It involves a village performance of a morris dance which has created some tensions between several of the men of the village. When someone ends up dead we are left wondering who may have been responsible.
It’s a clever little tale with a great reveal that is all the more impressive for being told in just a few pages.