In spite of the historical mystery being one of my favorite sub-genres of crime fiction, it seems to have been a really long time since I last read one for this blog. Not sure what happened there. In any case, I am happy to resume coverage with a look at the third book in Ovidia Yu’s Crown Colony series set between the two world wars featuring her Singaporean sleuth Su Lin.
While each novel does tell a self-contained story, I would suggest that this is a series you really want to read in order. The reason is that the author cultivates a sense of change between each book meaning that if read in order you see Su Lin gain in confidence while Singapore and the British Empire’s relationship also shows some signs of change. While you could follow what is going on in The Paper Bark Tree Mystery without reading the previous stories, I think you would miss out on the thoughtful characterizations and the sense of these adventures taking place in the context of world history.
This particular story opens with the discovery of the death of “Bald Bernie”, a man who has been responsible for getting Su Lin removed from her post as an assistant at the Detective Shack. She discovers the body when she turns up at the office to her help successor, Dolly, get to grips with the filing system.
As the first on the scene and given her history with the deceased, Su Lin is an obvious suspect but it soon becomes clear that the Police believe the death may have links to the rumors that an Indian revolutionary is at large in Singapore. When her best friend’s father is arrested on suspicion of being in league with the revolutionaries, Su Lin investigates the crime herself in the hope that she can clear his name.
There are lots of aspects of this series that appeal to me but the part that fascinates me most is its presentation of Singapore in this time period. Each novel has been able to utilize and comment on developments within the British Empire and this volume in no different. For instance, this story reflects the rising tensions within the Empire about the risk of revolution and the relationship between the colonial authorities and the natives. Su Lin’s dismissal after all comes as a consequence of an administrator’s fear that being a Singaporean her loyalty might be questionable.
This book also incorporates wider concerns about the political climate in the region. We read about Indian revolutionaries and the Congress party as well as the perceived threat that is posed by an expansionist Japan. What I think Yu does really well is to show these ideas and conflicts from several different perspectives, showing that there is a diversity of opinion and individuality within each of the cultures depicted.
The other idea that really comes over strongly is that many of the Singaporean characters are practical in their responses to these challenges and threats. While we do not spend time with Su Lin’s grandmother in this volume, we do hear her thoughts and plans reported to us. It is these details that I think make these characters feel rich and interesting enough to support multiple stories and that leave me curious to see how they will adjust to the changes that will take place over the decade that follows.
I also appreciate that each volume in this series attempts to move Su Lin’s personal story forward. While the first novel showed her building a relationship with Le Froy and the second had her working closely with him, here she is on the outside and feeling angry toward him.
Her reasons are quite understandable – she feels that having promised he would serve as a mentor for her, he did not stand up for her keeping her position in the Detective Shack. The novel explores how that choice has changed their relationship though Su Lin retains a strong bond to the group of detectives she used to work with.
One parallel that is explored throughout the novel is the contrast between Le Froy who has sought to build relationships and understanding with the Singaporean community leaders and Colonel Mosley-Partington, a more recent arrival. They have different personal styles and while the conflict is rarely direct, I felt the contrast between the two characters was interesting and helped draw out and show different aspects of Le Froy’s character.
Having discussed the background to the story I ought to also discuss the mystery itself. Opening the book with the discovery of the body does allow a certain compression of the case itself, throwing us straight into the investigation portion of the novel. This means that much of the background to the case is provided to us through the narration which can feel a little awkward and were this one death to be the sole focus of the book I would have been disappointed.
The story quickly expands its scope and focus, giving us a second body and placing that first death in a much broader (and more interesting) context. The reader’s challenge is to understand the connections between the different elements that have been introduced. I felt that the answers given were interesting and pretty satisfying, tying these various strands of the story together well.
Overall I found The Paper Bark Tree Mystery to be as entertaining and compelling as the two earlier volumes. Su Lin continues to be an appealing sleuth and I am enjoying seeing how she is developing from book-to-book. Because of those developments both in the character and in the historical background I would suggest however that these books would be best read in order rather than dipped into. If you did read and enjoy the previous installments in this series though I am sure you will enjoy this one every bit as much.