First broadcast January 21, 1973
Season Two, Episode Five
Preceded by Dagger of the Mind
Followed by A Stitch in Crime
Written by Jackson Gillis
Directed by Richard Quine
Anne Baxter had played the female lead in Hitchcock’s I Confess, a film in which a priest cannot clear himself of a murder without disclosing information from a confession. I remember her best though as Olga the Queen of the Cossacks, one of the villains in the Adam West Batman series.
A fairly forgettable case though it does have a couple of interesting points and a solid performance from Anne Baxter.
Nora Chandler was once one of the biggest stars in Hollywood but her career has long been in decline. A tell-all book in the works from gossip journalist Jerry Parks threatens to expose a scandal in her past that would end it. When she confronts Jerry about the book he tries to extort her to make the information he has found go away.
Nora discovers that Jerry has been seeing her personal assistant Jean and has arranged to meet with her that night. Instead Nora plans to keep Jean busy with a slew of pointless errands. Instead Jean skips out on them and the pair arrange a rendezvous later.
Unfortunately that rendezvous never happens as before they can meet Jerry’s car explodes…
I should probably begin by confessing I am not particularly excited to write about Requiem for a Fallen Star. This is not because it is a particularly terrible episode of Columbo – I have seen worse already since starting this project – but because to discuss its most interesting idea feels like it would be spoiling it. I obviously do not want to do that so this will probably be quite short and vague. My apologies. Hopefully I can convey at least a general sense of what I think of the production.
While the previous episode featured lots of external location filming, Requiem for a Fallen Star feels much more familiar and contained. We had after all seen a film set in several scenes in the very first Columbo story Prescription: Murder and spent a little time in a television studio in Suitable for Framing. In spite of that though it is notable that this is the first time a case has centered on the film industry in spite of that being the business most would associate with LA.
Probably the most logical place to start with discussing the episode is with the character of Nora Chandler, the fallen star. The episode certainly gives us a good sense of the state of her career at this point though her past is a little more vague. We have little sense of what sort of actress she was other than that Columbo was a fan but we do know that much of her success was built around her now-deceased husband’s film studio.
I can imagine this sort of role would have offered considerable opportunities to overplay the character’s diva tendencies or artistic sentiment, giving the character a comical slant. This would have been a mistake, particularly coming just an episode after giving us two pretentious actor killers, so Anne Baxter’s forceful and determined take on the character is welcome and feels well judged. Nora may not be as memorable a character as those played by Susan Clark or Lee Grant but I feel that Baxter’s performance fits the character and helps bring her to life.
I was initially quite skeptical of Nora’s reasons for becoming a murderer, particularly given that the scandal Jerry Parks is threatening to expose feels rather dull. While it would certainly end Nora’s career and association with the studio it is hard to imagine it moving many books. Would the fear of those revelations really lead to murder? Happily Nora’s plan and motives for murder do become clearer as the episode goes on and by the end of the episode I felt convinced.
After a doubtful start, things pick up from the moment at which the car explodes. Unlike some other Columbo stories, we do not follow the killer closely as they set up the murder and so we learn many of the details after the fact. This does allow for a small but satisfying surprise (the one I alluded to earlier) and establishes a pretty interesting set of circumstances for Columbo’s investigation.
That investigation is fine and there are a few interesting discoveries. The problem is that I just didn’t feel particularly interested in the cat and mouse game between Nora and Columbo. The choice to make Columbo a fan of Nora’s feels rather awkward and I quickly grew tired of his fawning over her. I think Columbo tends to be at his best when he is getting under the skin of his quarry and unsettling them but there isn’t much of that here.
While I found the investigation rather dull, the episode does at least have a strong resolution. I often complain about trap endings and this is another example of that but I do feel that in this instance he is using it to confirm something he has already deduced. It is a variation on a classic mystery but it is done pretty well, making for a solid resolution to the story.
Whenever you watch a television show there are always some episodes that stand out because they are either very strong or weak. Requiem for a Falling Star sits right in the middle of the pack, being competently told but lacking a standout character or truly memorable set piece or situation. It is quite watchable and often entertaining but I suspect it will be one I struggle to recall a few months from now.