While I enjoyed reading through Crofts’ four inverted mystery novels, I felt quite disappointed when I realized that meant I had no more left to read. You can imagine my delight then when I finally got around to reading this short story collection and found that it was entirely made up of inverted puzzle mystery stories!
Most of these tales are very short as they were written to be published in newspapers – a fact Crofts references in his introduction where he comments that he had to flesh some of them out for inclusion here. Accordingly most are designed to feature few characters and comparatively simple situations, though most feature either an apparently perfect crime or unbreakable alibi.
The ‘Many a Slip’ of the title refers to the idea that one small mistake can allow a diligent police detective to unravel even the most complex of alibis. After presenting us with a description of the events leading up to a murder, Crofts then provides a short epilogue, most of which feature his series detective Inspector French, in which he comments on how the case was solved. The format is a little reminiscent of the adventures of Boy Detective Encyclopedia Brown with most cases relying on some tiny incongruous detail, usually not directly related to the murder.
Many of those solutions are quite ingenious but they are not without their issues. A pretty common issue is that a few stories rely on information that may go a little beyond common knowledge as few stories directly describing the crucial clue. This isn’t a problem if your interest is chiefly procedural of course and in many cases you could probably work out what the issue is likely to be based on Crofts’ habit of using the principle clue for his titles. On balance I think most of the stories are fair and would have been even more so at the time they were written.
For the most part I found this to be a pretty entertaining collection but I do suggest that these may be best dipped into rather than read in one or two sittings. Crofts picks on several murder methods and themes and returns to them repeatedly. Usually he presents a different or interesting twist on those ideas but I think they would have more impact in small doses.
I would suggest that Crofts’ skills were perhaps better suited to the novel rather than short story format but in spite of that I think this is a solid collection with some highlights. A couple of stories stand out as particularly strong efforts. Mushroom Patties stood out for its fair play solution which I am happy to report I missed as did The Aspirins and The New Cement. My favorite tale in the collection though is The Photograph which I felt was exceptional, putting its inventive solution in plain sight.
Eighty-eight year old Maud is not the sort of person you would look at and think they were dangerous, let alone a killer! She is physically quite frail, tries to keep herself to herself and seems to live quite a comfortable lifestyle.
An Elderly Lady Is Up To No Good collects five stories that feature the octogenarian committing murders. Given that we know who, the mystery lies in understanding why she wants someone dead or how she will accomplish the task.
The murders themselves range in credibility from some which take quite mundane approaches to extinguishing life to the outrageous one featured in the first story in the collection. Heads being pierced or crushed is a recurring theme so those who are sensitive to such things, be warned!
As usual with short story collections I provide thoughts on each individual story after the break below but there are some general points I’d like to make about the book.
Firstly, I found the collection to be about the right length. As much as I enjoyed the character and the premise, I think that it would stretch credibility to have her commit many more murders at her age.
Maud is an interesting creation and I enjoyed the little glimpses we get into her past. While some of those character moments are interesting, I do feel that the bigger mystery of how she evolved into the killer we encounter in these stories ought to be told and I do think this feels like its biggest omission.
All in all, I think the collection is a strong one. Its darker elements may not appeal to everyone but I admire its creativity and think it does a surprisingly good job of selling the idea that this elderly lady could commit these murders.
Poirot Investigates was the first collection of short stories featuring the Belgian detective. Published in 1924, it is usually described as the third Poirot book though many of the stories contained here were originally published prior to The Murder on the Links.
The collection is an interesting one made up of a pretty diverse blend of cases. While the majority involve murders, there are a couple of thefts and disappearances to solve as well. In short, it makes quite a nice change of pace for the character and allows Christie to show some different sides of his character.
Unfortunately I feel that the quality of these stories also differs quite sharply with only a couple of truly memorable stories and quite a few duds in this particular assortment. On the positive side I would say that The Million Dollar Bond Robbery, The Kidnapped Prime Minister and The Adventure of the Italian Nobleman are all quite compelling, engaging adventures. I am far less impressed with the others however, finding some stories such as The Adventure of the Egyptian Tomb and The Tragedy at Marsdon Manor to live up to the promise of their premises while others such as The Lost Mine and The Mystery of Hunter’s Lodge are pretty tedious.
One influence that can be felt on many of these tales are Arthur Conan Doyle’s Sherlock Holmes stories. Not only are they structured similarly, being written as accounts of Poirot’s cases for publication, many touch on similar themes or plot elements. In some cases this can be quite charming but it sometimes means that some parts of a solution stand out a little too much.
I should also probably mention at this point that the stories contained in this book differ based on where you are purchasing it. The American edition of the book is longer, containing three additional stories. Those stories would eventually be collected in the UK as part of the Poirot’s Early Cases collection (which would also be released in the US – go figure!).
For the purposes of this review I am working with that American edition. The three extra stories are each marked in the individual reviews below. While none of the three are classics, I think two of them are very good and significantly boost the quality of the collection.
While I think a number of these stories are quite flawed, I did enjoy rereading this collection and I appreciate the author’s attempts to provide a variety of settings and styles.
Sydney Noir is the fourth collection of short stories I have read from Akashic Books having previously reviewed collections set in Prague, Moscowand Marrakech. While I have found that the stories in these collections are darker than I usually enjoy, I love the window these offer into other cultures and their own crime literature scenes.
This collection is based on the city of Sydney in Australia and some themes quickly establish themselves: almost all of the stories here touch on either sexuality or drugs. It is probably the most graphic of the four collections and readers should be prepared that many of the stories touch on some subject matter that some will find pretty heavy and upsetting.
In spite of that though I felt that the standard of the stories was generally very high and only a couple missed the mark for me. The strongest section is the third which is titled Criminal Justice with stories focused on exploring the lives of criminals. These stories were the ones that most clearly evoked a sense of place for me.
Slow Burn is probably my favorite story in the whole collection and I found it to be the most mysterious. It opens by introducing us to a retired police officer who is fishing next to a man he has spent twenty years planning to destroy. In the course of the story we learn what he did to warrant this and follow as he executes his plan. A really solid, character driven tale that is effective without the need for dramatic twists or revelations.
The first section, Family Matters, is a little less even though it does contain some really interesting stories. The Birthday Present packs the punchiest ending in the collection while In the Dunes is a deeply emotional story that I really connected with. I was a little less impressed with Good Boy, Bad Girl by John Dale who also edited this collection as I felt it had few unexpected moments while I found In the Court of the Lion King hard to enjoy though, in fairness, I am never much of a fan of prison noir.
Which leaves the second section, Sex and the City. As you might guess from the title, this is the most explicit section of the collection though it is also one of the most diverse. The standout story is Leigh Redhead’s The Transmutation of Sex, which is likely the only crime story I’ll ever read based around a work by Napoleon Hill. Not comfortable reading but it has that compelling “is it going there” factor that made it hard to put down and I felt Redhead had a very clear image of who her characters are. Others apparently loved The Patternmaker but I found it a pretty seedy and predictable read.
This collection is not going to be for everyone but I think it is one of the most consistent I have read from Akashic so far. That consistency in quality though is matched by a consistency of theme so this may work better as a collection you dip into rather than the sort you devour in a single sitting.
Ellery Queen’s Japanese Golden Dozen is a collection of twelve short stories selected by Frederic Dannay, one half of the writing team known as Ellery Queen. In the introduction to the volume he mentions how he was approached and asked to select stories from over 2000 that were submitted.
The stories selected showcase a variety of styles and approaches while several stories feature uniquely Japanese elements or ideas. For instance, several stories blend the supernatural with mystery elements while others incorporate “erotic” moments. Some evoke the feel of a traditional puzzle mystery while others would be better described as crime stories.
I was impressed by the general standard of the stories and even the weaker stories possessed some clear point of interest that explained their inclusion. For instance I found No Proof‘s inquest structure felt a little dry while its solution seemed to be flagged far too early but I really enjoyed the idea of someone being scared to death with a cheap gorilla mask.
Several of the stories are really entertaining and imaginative. My pick of the collection is The Kindly Blackmailer in which a barber finds that a new customer intends to blackmail him for his involvement in a hit-and-run. I spent a large part of the story feeling quite puzzled by the logic of the blackmailer’s plan but all of my concerns were addressed by the end of the story and I thought the situation was pretty compelling.
I also particularly enjoyed Devil of a Boy in which a mother suspects a child in her son’s class has sadistic tendencies – some of the developments in that story are really quite clever – while Invitation from the Sea and Cry from the Cliff feature the best puzzles in the collection.
Overall I found this to be excellent value and I appreciated the opportunity to experience some writers who were completely new to me. Individual reviews of each of the short stories follow after the cut. If the idea of this collection interests you I would encourage you to check out the review at The Reader is Warned as Dan’s views of some of these are quite different from mine though we both enjoyed the collection.
Also be sure to check out that post’s comments section where there is some interesting discussion of the genesis of this volume (and that there were several further volumes produced that were never translated into English).
I may have mentioned this before but I am terrible when it comes to adhering to schedules. For this reason my week of Christmassy reads is beginning with less than a week to go.
The Christmas Card Crime and Other Stories is the latest British Library Crime Classics anthology of seasonal short stories. Last year I reviewed Crimson Snow which I found to be an entertaining and varied collection of stories, albeit one that was a little inconsistent in terms of quality. I am happy to report that I found this to be an even more satisfying collection.
There were a lot of things for me to love about this collection, not least that it features so many authors that are new to me and who write in a variety of styles. There are several inverted stories, a heist tale, an impossible crime or two as well as some more traditional detective stories. It is a good mix of stories!
Some of my favorites from the collection include Selwyn Jepson’s By The Sword which is a clever, dark story with a fun kick and Cyril Hare’s Sister Bessie which manages to go even darker. I also really enjoyed the title story for the collection The Christmas Card Crime which packs a considerable amount of incident into a small number of pages.
The disappointments here are few. Usually if a story doesn’t work for me it is because of their length – there are several which are just a few pages long. The only two that I think failed were Lorac’s A Bit of Wire Pulling and Carr’s Blind Man’s Hood which I just couldn’t get into. In the case of the latter there is an argument to be made that my expectations may simply have been too high.
Overall I considered this collection to be a delight and had a wonderful time reading it. The book feels really well balanced and there are several stories in the collection that I can imagine returning to when the season rolls around again. I consider this to be one of the best anthologies the British Library have published to date and highly recommend it.
So far I have only had a couple of experiences with the Akashic Noir range of short story collections, each of which focuses on a different city. I found both Prague Noir and Moscow Noir to be pretty mixed affairs, containing some stories I enjoyed and quite a few I didn’t care for.
Marrakech Noir shares some aspects in common with those previous collections I have read – each has an introduction that emphasizes how new mystery fiction is to their respective cultures. In fact in the introduction to this collection Yassin Adnan identifies there as being no more than thirty mystery novels written by authors from Morocco and no short story collections at all.
That lack of a mystery fiction tradition is quite clear in a lot of the stories here and in several cases it would be hard to justify the label at all yet I think when judged as a collection of short stories dealing with crimes, secrets and the life of the city it works really very well.
The first section was the strongest for me with several standout stories that explored identity or contained interesting story beats. I was particularly intrigued with A Noisy Disappearance in an Ill-Reputed Alley which details the investigation into the disappearance of a Spanish director in the city and Other Places which builds to a perfect noir conclusion.
The most poignant story in the second section is that of a mother’s campaign to have the government release her son in In Search of a Son. Perhaps my favorite story in the whole collection is The Secret in Fingertips which adheres to the noir structure and themes and I think manages particularly well to balance those elements with the Moroccan culture elements of the story.
The final section is, sadly, the weakest and unfortunately I think the final few stories largely underwhelm. I did appreciate Frankenstein’s Monster however for its portrayal of how commerce springs up around a graveyard to help families supplement their income and for its clever combination of a film with the themes of the story.
Overall, while this collection is not perfect I think it brings the city of Marrakech to life and helps to capture something of the spirit of the city. While not all the stories will appeal to mystery enthusiasts, I think most are successful and there is a good mix of story styles and themes.