Written by David Renwick
Directed by Christine Gernon
Anna Wilson-Jones has appeared on several other crime-themed shows, making several guest appearances on Midsomer Murders as well as Inspector Lewis, Inspector Morse and Agatha Raisin. She is probably best known to international viewers though for her appearances in the first episode of Black Mirror (as the Prime Minister’s wife) and a recurring role in Victoria.
Adrian Edmondson was one of the most familiar faces from Britain’s alternative comedy scene. After appearing in The Young Ones he worked with Rik Mayall, also a Creek alum, on Bottom. While he doesn’t have a lot of crime and mystery credits beyond Creek, he did recently appear on an episode of Death in Paradise.
While it may not be a classic, this episode offers two very solid takes on the impossible disappearance.
A serial killer has strangled several women and the only thing that seems to be known about them is that they are described as wearing some rather distinctive headgear – a Davy Crockett hat. Carla Borrego, now the host of a true crime show, is working with the police on a reenactment at the scene of the most recent murder when shots are fired at the reenactors. The police quickly identify the position of the gun and converge on the location within moments only to find the door locked from the inside and the gunman vanished.
The Coonskip Cap feels quite strikingly different from all of the episodes of Jonathan Creek that preceded it. Some of that is visual as the episode sports a darker, richer look with moodier lighting and considerable amounts of night-shooting but it is also noticeable in the script itself. This is a story about a serial killer who preys on women, a scenario that seems to have far more in common with news headlines than most Jonathan Creek episodes which usually seem to feature the sort of crime scenarios you might find in golden age detective fiction.
The result is quite jarring when watched shortly after the Maddy Magelan era though of course there was a gap of several years between them. Personally I think it helps to define and separate this next phase in the show’s development from what has come before and while not every change is wholly successful, I am happy that this episode is structured around a couple of pretty solid impossibilities.
The first impossibility involves the disappearance of a suspect from within a room moments after gun shots are fired. When the police arrive they find that the door is locked from the inside and have to break it down to get access. Meanwhile the window, the only other exit to the room, is under observation from several other officers. When the bullets are retrieved they match the sniper rifle found inside the room so how did the suspect manage to escape?
This impossible disappearance is a fine appetizer though I think that it would disappoint if it were the main meal. There is a logical solution to the situation that I think becomes all the more obvious when the viewer sees what Jonathan is interested in at the crime scene. It’s still a good idea though and executed well and there are some very solid questions about who did it and why that are left to linger for much of the episode.
The second impossibility is the meatier one as it once again involves an apparent disappearance but this time the killer has struck successfully, strangling a police officer in a gym in a really effective sequence that plays out in near pitch black. There is nowhere to hide in the gym and only the one locked exit which Inspector Ted Parnevik and other officers have under observation. Furthermore the moments leading up to her death are captured in a rather grim radio recording so how did the killer strike and then get away?
There are a couple of reasons that I think that this is more effective than the first impossibility. For one thing, a character has actually died which raises the stakes. For another, we are given clearer physical confirmation about characters’ movements around the moment that the situation occurs and the narrow window in which it takes place. The trick, worked in tighter constraints, seems all the more baffling and even Jonathan appears to be struggling at first to solve it.
Of course Jonathan does eventually figure out how the various elements relate to each other and I have to say that I was pretty satisfied with his explanations of how and why these two impossibilities occurred. The only thing that disappointed me a little was a visual clue which I’ll describe in my Aidan Spoils Everything section after the page break. I think that is the least important part of the denouement though and so it didn’t spoil my enjoyment too much.
Looking at various online episode rankings though it does seem that I am a bit of an outlier in feeling that way. In several posts I read this episode tends to place towards the bottom. I suspect that the reasons for this lack of popularity lie with the character of Carla and the adjustments made to her background to enable her to become a viable on-going assistant for Jonathan.
Back when Carla was introduced she was a theatrical agent. That made sense as a rationale for that story but clearly she could not keep encountering Jonathan in that guise. The true crime TV show, while being a little reminiscent of Maddy’s true crime books, feels like a further updating of that idea and provides a much stronger reason to keep bringing them together – particularly as the collaboration is essentially forced on her.
The idea that the show would be produced by her husband seems to be a common source of annoyance with this era. He is certainly another smarmy showbiz type though nowhere near as obnoxious as Adam Klaus, but I think that this episode does use him to make some interesting observations about the philosophy of television programming. Some of those observations specific to true crime programming feel even more relevant today than they would have been back then because of the glut of such shows being produced now both through traditional media and online.
There are two other reasons I quite like him, at least in the context of this episode. Firstly, I think Adrian Edmondson is well cast in the part, giving him a strong (if sometimes pretty frustrating) personality. The other reason is that Carla being married gives our investigators a more obvious obstacle to their being together romantically. This was welcome after three seasons in which I frequently wondered just what the problem was that stopped Jonathan and Maddy getting together when they both clearly wanted it at points. Now, I’m not foolish enough to claim that it would always be so – just I don’t hate it here.
Overall then, I think that this one is better than its reputation would suggest. While it is clearly not on the level of some of the classic stories in the show’s second season, I’d take this over almost any from the third. Whether I will be as generous of the next story… Well, you’ll have to wait to next week to find out.