Tag: Dr. Gideon Fell

Martin Clarke has purchased and refurbished a historic home with a reputation for being haunted. As you might expect, he decides to throw a haunting party in which he invites some friends and a few experts in their fields to spend the weekend and see if they observe any ghostly apparitions or paranormal phenomena.

Several centuries earlier the owner of the house had died at the precise moment the grandfather clock stopped and more recently an aged butler was crushed by a chandelier after apparently swinging on it. Soon after the party arrives, an equally strange and improbable death is added to the list as a gun appears to have leapt off its wall mount and shot someone. And that is just one of the strange things that takes place in Longwood House that weekend.

I didn’t have much in the way of expectations coming to this novel having heard precious little about it. My reason for reaching for it now is that I read in the incredibly helpful guide at Justice for the Corpse that my planned next read to feature Dr. Fell spoils a key twist in this one. That book, The Case of the Constant Suicides, has now been shelved until later in the month. Also I should take a moment to suggest you check out that guide before reading this because the novel does spoil the solution to a famous Agatha Christie story.

While the story could lend itself to quite an atmospheric, gothic style it is remarkable just how little atmosphere Carr creates in this piece. This is actually quite appropriate given his choice of a more skeptical character to narrate the tale and the composition of Clarke’s party, favoring open-minded but skeptical guests. However, it may well disappoint those who were hoping to see the characters more affected by the prospect of a haunting.

There are some nice touches along the way and the murder, when it does come, is appropriately bizarre and does take place in some intriguing circumstances. We have a shooting occur in a room with just one person present in the room yet the doors and windows and all under observation within seconds of the shot being fired. When the weapon is identified, there are no fingerprints to be found at all and not even any telltale signs of the handler wearing gloves. While the witness’ claim that the gun moved by itself off the wall and shot seems incredible, it is at least partly confirmed by the physical evidence of the room.

While this seems to be one of the most baffling setups for a story I have read to date in a Carr novel, I expected that the investigation would focus more tightly on the mechanics of how the crime was committed. Instead a substantial part of the narrative focuses on trying to work through some contradictory accounts to discover the killer’s identity.

There are some good moments along the way, not least the explanation of the significance of a key, and I did appreciate that the story boasts its fair share of “how on Earth did I miss that” revelations. When the explanations come however I was left with mixed feelings, being struck both by the comparative simplicity of the solutions but also the convoluted way in which they are worked.

And then there is the second crime. While not as ludicrous or frustrating as the one in The Problem of the Wire Cage, I felt it served less of a purpose in the story other than to string the investigation out for a little bit longer.

So far I have only read a handful of Carrs and I am still getting to know the author. I can say that of the four novels I have read, this is the one I found least entertaining though it is still an interesting read. While I liked some elements of the story a lot, I feel it misses some opportunities that its setting and plot might have afforded.

For those interested in reading some different takes on the novel, I would suggest these reviews from Puzzle Doctor, The Green Capsule and Pretty Sinister Books all of whom are more enthusiastic. And while he doesn’t have a full review on his blog, JJ lists the book as one of his Five Carrs to Try. Clearly I am odd man out on this one but hopefully I will enjoy Constant Suicides much more.

Vintage Mysteries Challenge: Reference to a man/woman in the title (What)

I am really looking forward to this Saturday.

A couple of months ago JJ announced that he and Ben would be reading The Problem of the Wire Cage for an in-depth, spoiler-filled discussion. This weekend it should be going live and I am really interested to hear what each made of it.

The novel concerns a seemingly impossible murder taking place on a clay tennis court. Frank is a rather odious young man who seems destined to marry Brenda. Doing so will meet the terms of a will which would make the pair tremendously wealthy. Unfortunately young lawyer Hugh is in love with Brenda and is seeking to convince her to abandon talk of an engagement to be with him instead.

There is plenty more background but let’s skip ahead to the details of the impossibility. After a doubles game of tennis the players go their separate ways but Hugh returns later that night to find the court open and, on investigating, finds that Frank is dead, strangled by his own scarf, on the court while Brenda is nearby. Her footprints are the only ones other than the victim’s on the clay yet she insists that he was already dead when she ran to investigate his body. In other words, we have a dead body on a surface that would show footprints yet, if we believe Brenda, there are no signs that anyone else stepped foot on the court.

Much of what follows seems absolutely tailored to my taste, not because this is actually an inverted crime but because structurally it plays out similarly. If Brenda and Hugh did not have committed the crime, the natural evidence of the scene points squarely at their culpability and so they try to manage the evidence and stage the crime scene. While we will see the Police investigation at work and hear some of the deliberations, most of those moments take place from their perspective.

This sequence of the book is not only entertaining, I felt it was really very cleverly constructed. The pair works under considerable pressure to explain themselves, particularly once a character notices one of the things they are up to, and they find themselves needing to make decisions in the moment that they will then need to weave together into a convincing story. They do so incredibly well, casting evidence in a different light. When they realize that another person will be blamed for the murder based on the facts they have suggested they must conduct their own shadow investigation to confirm that those facts are accurate.

In short, what we have here is a case of two groups of characters responding to these events. The actions of the first group are to minimize their own involvement while seeking to find the real culprit (assuming it is not one of them). In doing so however they present the second group with a tampered field of evidence. This not only produces some wonderful tension and a few glorious comedic moments such as the tennis net testing sequence, the need to find a way to the real murderer that might fit with the tampered evidence is itself an intriguingly different take on the mystery story.

In addition to its strong structure, I also appreciated the characterization in these early chapters. There is no doubt that Frank is a pretty unpleasant guy and would make a poor match for Brenda. Given we share Hugh’s perspective as he comes across the body we can dismiss him from consideration yet I think Carr does a wonderful job of making Brenda someone we can believe and yet still harbor some doubts about. Not to mention the handful of other suspects we may consider. For what it’s worth, I settled on the wrong person far too early and was so certain that I was right I overlooked a little evidence that should have pushed me in a different direction.

The question of how the murder was carried out is even more important to the story than the identity of the killer. Here I think the ground becomes a little shakier because, as Puzzle Doctor points out, the method utilized requires us to accept an unusual level of stupidity on the part of the victim. While Carr attempts to convince us with a little harrumphing from Fell that we ought to consider the sequence of events credible because of the personalities of the people involved, I struggled a little with believing that although I did appreciate the mechanical cleverness of the solution.

On the other hand, things take an unfortunate turn in the final third of the novel with the introduction of a half-baked secondary murder that feels both insufficiently clued and explained. While I would agree with some who say that this part of the novel feels clumsily grafted on to the plot, the bigger problem to me is that the method by which the victim is despatched feels ludicrously unlikely and dramatic. I simply could not buy that the person who performed the killing would have conceived of or executed that plan, nor did I feel that the solution to it was fairly clued. In short, this whole sequence derails an otherwise tight, if extremely contrived, crime with little benefit beyond boosting the page count.

Finally I should mention the role, or rather the lack of one, provided for Dr. Fell. I have read some comments that the character really is treated as an afterthought here and that Hugh is intended to be the real sleuth. While I acknowledge that the character’s role is certainly limited, I strongly disagree with the inference. In my opinion, Fell is given a limited role because he is there to explain the impossibility and he gives instant credibility to that solution. I believe his limited role reflects that the impossibility, while serving as the hook for the novel, is not actually the author’s focus.

It seems to me that Carr’s interest here lies in playing with the manipulation of the crime scene and how those manipulations affect the police investigation. Fell cannot be the focus because we have to believe that he can see through Hugh and Brenda’s actions and so he falls into the background while the less rigorous Hadley takes the lead. In short, I think if Carr had made Fell a greater focus in the novel then it would have either made Hugh and Brenda’s initial successes unbelievable or been to the long-term detriment of the sleuth’s character.

So, where does that leave me overall?

I found The Problem of the Wire Cage to be a highly enjoyable read in spite of the flaws in its final third. There are some good ideas here but, more importantly for me, the characterization really sells the story and its structure. Carr provides us with some wonderful moments, some of them funny like Hugh’s conversation with his father, while there is a rather special surprise reveal at the end of Chapter Eleven that really came out of the blue for me.

Unfortunately I cannot judge the novel against Carr’s other works – I have read far too little, though I hope to rectify that in the next few months – but I think it is of interest in its own right and I look forward to reading what others made of it over the next few days.

Vintage Mysteries Challenge: Death by strangulation (How)

The Problem of the Green Capsule is the first book I have read by John Dickson Carr although it is not my first encounter with the character of Dr. Gideon Fell. Recently I had listened to the BBC Radio adaptations of several Carr stories in which the role of the famed amateur sleuth was played by Donald Sinden.

Going from adaptation to the original source material was an interesting experience and it’s usually one I try to avoid. Not because I believe that the book is always better but because once you hear or see a character performed it can be hard to see the character as originally envisaged. It was certainly hard not to hear Sinden’s voice in each of Fell’s pronouncements and interjections though I think that may just reflect that he was well cast in that role.

Having enjoyed the character I was keen to explore him further and so I set about finding one of the Carr stories and quickly settled on this one based on its rather striking premise. The crime here is quite audacious and certainly captures the imagination.

When the story begins there has already been a murder that apparently involved poison being placed in chocolates that were sold in a confectionery and tobacconists shop. No one can quite figure out how this was done yet Dr. Marcus Chesney has an idea and, after lecturing his family on how eyewitness accounts are unreliable, he decides to stage a theatrical production to prove his point.

Inevitably the fake murder ends up becoming the real thing. When the police arrive they soon realize that the only viable suspects were all in the audience and are able to give each other alibis. At about the halfway point in the narrative Dr. Fell is called in and begins to review the evidence to find the way the seemingly impossible murder was carried out.

Part of the reason I found this mystery so impressive is that it has such a small set of possible suspects to work with and the scenario is so well constructed that suspicion is able to fall equally of each of those characters.

The solution as to how this particular crime was worked is quite ingenious while playing quite fair with the reader. While I did not manage to identify every element of how the trick was worked, when the explanation is given I could see exactly where I went wrong in how I was looking at the case and how I fell for a red herring.

Though the characters are generally pretty solid, one aspect of the story that didn’t quite work for me was the police detective’s attraction to one of the characters involved in the murder. While I certainly don’t mind romantic elements in a story, I am not sure that their inclusion did much to advance a theme or complicate the investigation.

As for Fell himself, I found the character to be thoroughly entertaining. Carr holds back his entrance to the midpoint of the novel, essentially enabling him to seem all the more brilliant when he arrives and starts to deduce some of the mechanics of how the crime was achieved. He is a methodical and practical character and while he will occasionally make a short jump of reasoning, those moments generally feel credible.

Overall I think I picked a good story to start with and I certainly plan to continue dipping into these stories and some of Carr’s other works. Highly recommended.

Do you have any suggestions for which Carr works I should seek out next? I’m considering starting at the beginning with Hag’s Nook but I’m willing to be persuaded into trying something else…