Murder at the Manor edited by Martin Edwards

Originally Published 2016

The English country house is an iconic setting for some of the greatest British crime fiction. This new collection gathers together stories written over a span of about 65 years, during which British society, and life in country houses, was transformed out of all recognition. It includes fascinating and unfamiliar twists on the classic ‘closed circle’ plot, in which the assorted guests at a country house party become suspects when a crime is committed. In the more sinister tales featured here, a gloomy mansion set in lonely grounds offers an eerie backdrop for dark deeds.

Though I have been something of a skeptic when it comes to short crime fiction in the past these British Library anthologies curated by Martin Edwards have helped turn me around on the possibilities of the form. Over the past year I bought most of these collections and have been slowly working through them.

Murder at the Manor takes the iconic country house setting as its focus, presenting us with sixteen tales from authors from a variety of backgrounds and styles. In some cases however the setting plays little role in the story itself and few convey any real sense of those impressive historic homes.

The result is a collection that can feel a little uneven compared to some of the others in the range. A few stories such as The Problem of Dead Wood Hall and The Long Shot left me quite unimpressed. There are some stories though that I can strongly recommend that make this worth dipping into.

Several of the most memorable tales are inverted crime stories such as W. W. Jacobs’ The Well which features some truly horrific moments and James Hilton’s The Perfect Plan which builds to a thrilling conclusion. Those who prefer lighter mysteries are likely to enjoy E. V. Knox’s very amusing story The Murder at the Towers which is consistently amusing, parodying the country house mystery very effectively.

The highlight of the collection is an incredibly tense thriller by Ethel Lina White, An Unlocked Window. In that tale a group of nurses have locked themselves in a house while the Doctor is away fetching supplies because there is a serial killer who has been targeting nurses as his victims. The moment in which the protagonist realizes that they have left a window unlocked is really chilling but it is topped by a superb reveal that pushes the story into a thrilling conclusion. While this is not normally my type of read, I think it is done really well and it is likely to stay with me for a while.

Though I do feel that the stories in this collection are less consistent than some of the other volumes the British Library have published, stories like these certainly make this worth dipping into. I would suggest though starting with Resorting to Murder or The Long Arm of the Law, both of which I rate highly, unless the subject matter of this volume particularly appeals.

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Resorting to Murder edited by Martin Edwards

HolidayMysteries
Resorting to Murder
Martin Edwards (ed)
Originally Published 2015

The idea of the detective on holiday is a rather wonderful one and, as Martin Edwards points out in his introduction, has been a rich source of inspiration for mystery novels. This collection is concerned however with much shorter works and features a variety of stories in which the detective or victim is travelling away from home.

In some cases the travel is incidental to the story, used to place the mystery against an exotic backdrop whereas in others the idea of being in an unfamiliar environment is critical to the story’s themes and plot. The stories that Edwards selects draw on a variety of styles and approaches and demonstrate how a basic concept can be taken in many different directions and used for inspiration in many different ways.

There are, of course, some stories from writers who are widely known and remembered such as Arthur Conan Doyle and G. K. Chesterton but there are also a number of stories from lesser-known figures. Of those I particularly enjoyed the contributions from E. W. Hornung, Phyllis Bentley and Gerald Findler while there are some excellent stories from the better-known Michael Gilbert and Leo Bruce here too.

As with any anthology, there are a handful of disappointments in the collection but in most cases those stories fit and illustrate the theme well and their inclusion makes sense. I would certainly say that this is one of the strongest British Library Crime Classics anthologies that I have read and would put this up with The Long Arm of the Law in terms of the general quality of the stories collected.

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